What does Seoul South Station’s new Ixelles flagship say about Brussels’ Korean wave?
Seoul South Station has opened its largest and most elaborate restaurant so far at Rue du Bailli 104 in Ixelles, combining Korean fried chicken with a Brussels-brewed beer, tteokbokki, neon décor and arcade games.
In 30 seconds
- The flagship is located at Rue du Bailli 104 in Ixelles.
- Its menu centres on Korean fried chicken and includes tteokbokki and a vegetarian cauliflower option.
- Horang-i beer was developed with Brussels-based Tipsy Tribe Brewery & Distillery.
- The concept reached Brussels-Central in May 2024 after operating in Leuven and Ghent.
Seoul South Station has opened a flagship restaurant at Rue du Bailli 104 in Ixelles, giving a larger, more immersive version of the Belgian-founded Korean fried-chicken concept. The venue, which officially opened on 29 May and was profiled by Het Nieuwsblad in July, combines counter service with arcade machines, neon, vending machines and a limited-edition beer made in Brussels.
For people living in Brussels, the immediate significance is local rather than diplomatic: another sizeable hospitality business has chosen the busy Bailli district, while a concept previously encountered chiefly at railway stations and festivals is testing whether it can become a neighbourhood destination. The menu centres on Korean fried chicken and burgers, accompanied by bowls, kimchi, pickles and house sauces. It also includes fried cauliflower for vegetarians and tteokbokki, the spicy rice cakes associated with Korean street food.
Founder Filip Kuzminski told Het Nieuwsblad that he built the brand outward from one core product, connecting the chicken to the sauces, service and visual identity. The new restaurant, he said, is where Seoul South Station can present its most complete form. Its Horang-i beer was developed with Tipsy Tribe Brewery & Distillery, a Brussels producer, giving the otherwise Korean-inspired offer a tangible local partnership.
The opening marks another stage in a rapid Belgian expansion. BRUZZ reported that Seoul South Station reached in May 2024 after starting in and expanding to . The company’s own financing presentation names Kuzminski, Tam Vo and Karen Van Woensel as the team behind the business and links it to Votect, the group associated with Banh Mi Express. It says the brand was formally launched in 2023 and developed an important second channel at Belgian festivals, although those commercial claims have not been independently audited in the sources reviewed for this article.
There are two useful ways to read the Ixelles flagship. From the founders’ perspective, it is a scalable Belgian fast-casual business: a focused menu, quick service and a memorable entertainment-led identity. Kuzminski has resisted comparisons with conventional fast food, telling BRUZZ in 2024 not to call the concept an Asian alternative to Quick. The emphasis is on a more distinctive product and experience.
Brussels’ Korean cultural community supplies a broader perspective. Haetal Chung of the Korean Cultural Center told BRUZZ in March that interest generated by K-pop increasingly leads visitors towards other parts of Korean culture, including calligraphy, clothing and food. Chung described an audience extending beyond young fans to grandparents introduced by their grandchildren. In that reading, the restaurant is not the Korean wave itself, but one commercial expression of a much wider cultural exchange.
That distinction matters. Seoul South Station is a Belgian company interpreting Korean street-food imagery; it should not be treated as a complete representation of Korea’s varied culinary traditions. Visit Brussels separately highlights established Korean restaurants such as Maru and Anju, while presenting the capital’s Asian food scene as part of its broader cosmopolitan identity. The new flagship therefore expands the range rather than replacing more traditional or chef-led approaches.
Where this is happening
View on map Brussels →Brussels also has an institutional Korean presence, but it should not be confused with the city’s restaurant market. The Korean Cultural Center promotes exchanges between Korea, Belgium and the EU, while South Korea’s embassy in Watermael-Boitsfort is accredited to Belgium, the European Union and NATO. At EU level, cultural cooperation has operated under a protocol attached to the EU–South Korea trade agreement, according to the . None of those institutions has been reported as participating in this restaurant opening.
The next test is commercial endurance: whether Bailli residents, office workers, students and visitors return after the novelty of the arcade-led setting fades. Prices, employment figures, investment in the Ixelles site and store-level sales have not been publicly established in the reviewed reporting. What is already clear is that Korean popular culture in Brussels has moved beyond occasional fandom. It now shapes permanent shops, cultural programming and competing forms of hospitality—and Seoul South Station is betting that fried chicken can turn that attention into an everyday Belgian business.
What to do
Brussels residents and visitors can now try Seoul South Station’s expanded format at Rue du Bailli 104 in Ixelles, or use its Brussels-Central location if that is more convenient. The menu offers Korean fried chicken, tteokbokki and a vegetarian cauliflower alternative, alongside Horang-i beer made with a Brussels brewery. Readers choosing a venue should note that the Ixelles site is designed as both a restaurant and leisure destination, with arcade games and neon décor. No menu prices, booking requirements or opening hours are established by the supplied article facts, so check the venue directly before visiting.
Impact
Regional — The immediate impact is concentrated in Ixelles, where the venue adds another restaurant and leisure destination to Rue du Bailli. Its Belgian founders and Brussels brewing partner also keep part of the commercial value local.
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Voices & reactions
What the main actors are doing
Reported positions, summarised — not direct quotationsSeoul South Station’s commercial framing
Founder Filip Kuzminski presents the flagship as a focused, higher-quality alternative to conventional fast food: one central product supported by distinctive sauces, quick service, design and entertainment. In this view, Korean inspiration gives a Belgian hospitality concept a clear and scalable identity.
Korean Cultural Center’s broader framing
Haetal Chung of the Korean Cultural Center describes Brussels’ Korean wave as a gateway into multiple cultural forms, from music to calligraphy, dress and food. That perspective places a fried-chicken chain inside a larger exchange while cautioning, implicitly, against treating one commercial format as representative of Korean culture as a whole.
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