Can Studio 100 make its new 1,544-seat pop-up theatre work in Hofstade?
Zemst has granted Studio 100 an environmental permit for a 1,544-seat temporary theatre at the Sport Vlaanderen domain in Hofstade, subject to conditions covering noise, traffic, parking and summer performances.
In 30 seconds
- The temporary Hofstade theatre is planned with 1,544 seats, compared with roughly 2 million cumulative visits to the former Puurs venue over seven years.
- Sport Vlaanderen estimates a regular performance could generate 450 to 550 cars, based on approximately 3.3 people per vehicle.
- Weekend matinees are prohibited in June, July and August to limit overlap with peak recreation and zoo traffic.
- A mobility evaluation involving Zemst, De Lijn and other public partners is required three months after opening.
Key fact
2 million The temporary Hofstade theatre is planned with 1,544 seats, compared with roughly cumulative visits to the former Puurs venue over seven years.
The municipality of Zemst granted Studio 100 an environmental permit on 11 August for a temporary 1,544-seat theatre at the Sport Vlaanderen domain in Hofstade, clearing a major regulatory hurdle for performances planned from spring 2027. The approval comes with binding conditions: Studio 100 must respect Flemish environmental noise limits, help manage traffic around the N227-N267 junction and refrain from scheduling weekend matinees in June, July and August, when the recreation domain and nearby ZOO Planckendael already generate heavier visitor flows.
The theatre will occupy a grassed area beside Parking D, near the domain’s main entrance on the Tervuursesteenweg. According to Sport Vlaanderen’s project information, the principal structure will measure about 110 by 50 metres, with a free height of 13 metres, while a separate backstage area will measure 25 by 40 metres. It will be a demountable tent-style construction with fixed walls and a fixed auditorium rather than the moving stands used at Studio 100’s former venue in Puurs.
That distinction is commercially important. Studio 100 is not simply transferring its old theatre to another municipality; it is adapting a capital-intensive production model after the economics of the Puurs site became increasingly difficult. reported that the previous pop-up theatre attracted about 2 million visits over seven years before closing in June 2025. Studio 100 chief executive Anja Van Mensel said at the time that operating costs had risen faster than income and that renewing the venue’s permit would have required substantial fire-safety investment.
Hofstade therefore represents a more measured attempt to preserve large-scale musical production in a relatively small Dutch-language market. The new venue will have 1,544 seats and is expected to operate for roughly two years, according to Sport Vlaanderen. Its fixed seating removes one of the defining technical features of Puurs, but may also simplify the installation and operation. Studio 100 has not publicly disclosed the project’s construction budget, lease terms, expected occupancy rate or break-even ticket sales, so the financial case cannot yet be tested independently.
The company enters the project from a position of scale. Studio 100 NV, registered under Belgian enterprise number BE 0457.622.640, reported revenue of approximately €107.2 million in 2024, 19% above the previous year’s €90.3 million, according to company information derived from filings at the National Bank of Belgium. The entity employed an average of about 175 full-time equivalents. Those figures concern Studio 100 NV rather than the economics of this theatre alone, but they underline that the applicant is a substantial Flemish media and entertainment business rather than a stand-alone local producer.
For households, the immediate consequences are practical. A regular sold-out performance could draw several hundred cars into an area already used by swimmers, athletes, walkers and families visiting the recreation domain. Sport Vlaanderen estimates that an audience of around 1,500 would produce approximately 450 to 550 cars, based on its experience of roughly 3.3 occupants per vehicle in Puurs. Visitors will be directed to Parking D when space is available, while a separate temporary car park is planned for cast and crew.
The permit requires changes to the traffic-light plan at the junction of the N227 and N267, in consultation with the Flemish Roads and Traffic Agency. Studio 100 must monitor mobility during operations, and Zemst will convene an evaluation with public authorities and transport operator three months after opening. Additional measures may follow if congestion exceeds expectations. The summer matinee restriction is another safeguard: no weekend afternoon performances may be held in June, July or August. Studio 100’s current schedule also leaves longer gaps from 17 July to 17 August 2027 and from 26 June to 21 August 2028, the municipality says.
For nearby businesses, the opportunity is real but should not be overstated. Zemst plans a consultation with local hospitality operators about capturing visitor spending. The precedent from Puurs suggests that restaurants and accommodation providers can benefit: VRT NWS spoke to a nearby hotel operator who had offered theatre packages and sometimes filled all 17 rooms with musical visitors. Yet Hofstade’s location, audience travel patterns and performance calendar differ, and no estimate has been published for local spending or employment.
Where this is happening
View on map Flemish Brabant →The municipality and Sport Vlaanderen present the theatre as complementary to the domain’s sporting and recreational functions. For residents and regular users, the more cautious view is that a commercial venue on publicly managed leisure grounds must prove it can coexist with existing traffic, parking and environmental needs. The permit conditions acknowledge those concerns, but their effectiveness will only become clear once performances begin. Third parties also retain the right to challenge the permit within the applicable appeal period after formal notification or posting of the decision.
Studio 100 has already identified the first production: “Hallo Radio 2!”, developed with VRT’s Radio 2, is scheduled to premiere on 21 March 2027. Before then, the company must complete the venue design, construction and operational preparations while meeting the permit requirements. The main questions now are whether an appeal will be lodged, when construction will start, what the project will cost and whether ticket demand can support a 1,544-seat theatre without recreating the cost pressures that ended the Puurs chapter.
What to do
Prospective ticket buyers regain access to a dedicated large-capacity venue for Studio 100 musicals, but should check performance times and transport arrangements before booking. Weekend matinees will not be available in June, July or August. Drivers should anticipate concentrated traffic and parking demand around the Hofstade domain, with 450 to 550 cars expected for a regular show. Visitors coming from Brussels should monitor any travel guidance from Studio 100, Sport Vlaanderen and De Lijn. Nearby residents and regular domain users should watch the mobility evaluation due three months after opening for possible operational changes.
Impact
Regional — Hofstade and the wider Zemst area could gain visitor spending and cultural activity, while facing extra pressure on roads and parking near a busy recreation domain and ZOO Planckendael. The permit couples the project to a three-month mobility review and consultation with local hospitality operators.
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- 11 Aug 2026, 02:00
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Voices & reactions
What the main actors are doing
Reported positions, summarised — not direct quotationsStudio 100 and Sport Vlaanderen
The project’s promoters regard Hofstade as a workable successor to Puurs because the domain offers space, several transport options and parking without displacing an existing sporting function. They argue that a demountable structure can add cultural programming and introduce new visitors to the recreation domain.
Zemst municipal authorities
The municipality supports the theatre as an addition to local cultural and economic activity, but its permit conditions show that approval is conditional rather than unqualified. Zemst requires noise compliance, traffic-light changes, summer scheduling limits and a mobility review after three months.
Nearby residents and regular domain users
Households, commuters and daytime visitors have an interest in ensuring that commercial performances do not worsen congestion, consume scarce parking or create unacceptable noise. The permit addresses those risks prospectively, but residents may judge the safeguards only once real traffic and sound measurements become available.
Local hospitality businesses
Restaurants and accommodation providers may see a new evening audience as a source of turnover. Experience in Puurs indicates that theatre packages can attract overnight guests, although no independent forecast establishes how much spending Hofstade businesses will capture.
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